January 22, 2012

Grace Jones images made with Jean-Paul Goude in the 80s - you can see how Nicki used these images, which are already about construction and femininity and racism and discomfort, and basically added a bunch of amazing lipstick to the situation. 

January 22, 2012

This new Nicki Minaj video has 41,851 likes and 63,665 dislikes. Which surprised me! This isn’t my favourite Nicki song - though I’m going to give it a bit of time, it took me about a year to fully get Pink Friday - but the video is amazing. There’s some pretty clear Grace Jones references happening; I don’t know if the other images come from somewhere or are just generally playing on different kinds of femininity. Nicki with doll freckles and a little girl voice, vs Nicki in a cage wearing fishnets, while telling her unseen interlocuter to “suck this diznick” is, wow.

(Source: youtube.com)

January 21, 2012
"Nowadays everyone must love (or at least pretend to love) pleasures that were supposedly once disdained or taken for granted: dive bars, street food, trashy films. But knowing, sophisticated attempts to replicate those things often traffic in their own kind of snobbery, confusing condescension with authenticity. Movies like “The American,” “Drive” and now “Haywire” offer strained pulp, neither as dumb as we want them to be nor as smart as they think they are, and not, in the end, all that much fun."

A. O. Scott is making some good connections here. (via elisabethdonnelly)

I….don’t know? The thing is, work like Drive and The American are really imitating French revisions of American pulp stories (Godard, Melville), sometimes even imitations of those films (Michael Mann, for one), so for me it feels less like condescension and more like a story run through 3 or 4 different languages in Babelfish. I personally have a weakness for elaborate exercises in style that are springboarded off “trashy” aesthetics, but I’m not really sure what to do with it a lot of time. 

(Source: The New York Times, via katherinestasaph)

4:00pm  |   URL: http://tumblr.com/ZSRIbyF7MAi5
  
Filed under: film drive trash vs art 
January 18, 2012
I Feel The Pressure / Under More Scrutiny

oneweekoneband:

Hump day, right? It’s not accident that we’re talking about Graduation on Wednesday. (It is 100% accidental, actually.) On the third day, Yeezus gave us a transitional album, a flashy new persona, shutter shades, and it was good.

I’m going to lay my cards on the table: as I implied in my introduction, I heard Graduation last of all Kanye’s solo albums. I really missed out on a lot of Kanye’s big media appearances at this point in his career, the neon clothing and lasers and all that. (I was living in Santa Fe, New Mexico, which is sort of like paradise if you like breakfast burritos and cheap turquoise jewelry. Who could blame me?) Therefore, Graduation has always (for the last thirteen months, at least) seemed like a chamber orchestra version of My Beautiful Dark Twisted Fantasy’s wickedly clipping symphony.

I started listening to Graduation while I was sort of deeply in the thrall of Kanye’s ego, and it seemed like equal parts the end of his early (or middle) career and the beginning of his real ambitious later career. Of course, as I hope I showed, his early/middle career was mad ambitious. The fact that Graduation ended up being so great, then, sort of blows my mind.

He finally started collaborating with Mike Dean and using crazy samples: Steely Dan, Can, Daft Punk. While he could and would dip into the ‘neo-soul’ well, again, Kanye’s also well on his way to something else altogether musically. Graduation is my second-favorite K. West album, and at times I think it’s my favorite. The experience of listening to it is incredibly uplifting to me. At some point in each of Kanye’s preceding albums, there’s a song that ruins their momentum. On College Dropout, that song is “Spaceship” (though if you like that song, the album continues to flow for a while after that). On Late Registration, the album is interrupted at “Drive Slow”. Graduation — while not sequenced perfectly — has no filler, no clunkers, no momentum killers. The only song that’s not getting at least an A from me is “Barry Bonds”. Wayne’s verse is terrible, so that sort of evens out all the praise he gets for his verse on 808s and Heartbreak’s “See You In My Nightmares”, right? So at this point, if you’re doing a seat race with My Beautiful Dark Twisted Fantasy, I think you swap “Barry Bonds” with “So Appalled”, and, damn I don’t know. Graduation might win that contest. Also, it might be art, but that Chris Rock shit marks a backslide into skit territory. I cannot tell you how glad I am — listening to Graduation — to not have to skip past skits. So if I’m being honest here, I’d have to say Graduation is 1A and My Beautiful Dark Twisted Fantasy is 1B.

Graduation is my favourite Kanye West album. It came out when I was in the middle of my MA and it helped me learn to embrace my own inner egomaniac, which is the only way to get through grad school sometimes.

January 18, 2012
"The song’s passivity and pretense come through in the music, too. Listened to once, “Video Games” is a catchy lullaby, but the production and performance is built around a host of small artifices, all backing up the big one. The backing swells when it’s called onto but mostly rests on woozy splices and cuts, synth washes, and chintzy plucking. Del Rey hits us with a studied, torchy voice that’s dropped for the record’s best, creepiest hook, slipping into faux-naïf Marilyn style when asking, “Is that true?” In other words, “Video Games” sounds classicist at first, “retro” in a vague way. But the closer it gets, the more obvious its theatrics become, even before you take Del Rey’s image-building into account. It’s uncanny valley pop about an uncanny valley love affair—almost convincing, but just wrong enough to chill and fascinate."

Lana Del Rey Lights Up the Internet

January 16, 2012
Tilda forever.
via joiesdevivre.

Tilda forever.

via joiesdevivre.

6:51pm  |   URL: http://tumblr.com/ZSRIbyEtA_Jp
  
Filed under: tilda swinton 
January 16, 2012
I just don’t think Lana del Rey is that bad.

January 16, 2012
Do you remember that fool?

blackamazon:

redlightpolitics:

Professor at London School of Economics who wrote some awful drivel about Black women being ugly?

I now have to wonder if they put something in the water at LSE or if people with certain inclinations naturally gravitate towards the institution, as news of students engaging in Antisemitic drinking game emerge. From the article:

LSE students are facing disciplinary action after participating in a Nazi-themed drinking game during the Athletics Union’s ski trip, held at a French mountain-side resort in December 2011. Later in the night, two students were engaged in an altercation, one of whom sustained a broken nose from the incident.

‘Nazi Ring of Fire’ involved arranging cards on the table in the shape of a Swastika, and required players to “Salute the Fuhrer.”A video featuring students making antisemitic comments was uploaded to Facebook, but has since been removed.

These are our future world leaders y’all

The LSE - where my partner went and is still working as a part-time research assistant, and many of my friends also went - is such a bizarro school. It was founded by Fabians and set up to basically be the opposite of the elitist Oxbridge system which still really runs the UK, was directed by William Beveridge who basically invented the modern British welfare state for 20 years, it was at the centre of the tuition protests last year…and it also is City training ground, and frequently is world leader training ground, and where you have people who are privileged and hungry for power you get bullshit like this. There is definitely a divide between the socially conscious bits of it and the socially conservative hella racist parts of it.

January 14, 2012

rgr-pop:

yeah, you should totally kick some of that theory over here. I feel icky about shoplifting mostly just because I’ve only seen white punk dudes do it (everyone else “grows out of it” I guess), and I generally hate most things that white punk dudes do.

This is something I started writing about last semester, though I was approaching it from a theory perspective I found that a lot of what exists is historical and/or criminological. The literature you are going to find is mainly:

  • The history and criminology of shoplifting as a feminized act
  • Because historically it has almost always been committed by women, or anyway, it has almost always been women who are charged with it
  • In the early stages of commerce culture (ie, the Victorian era), public comments very often linked the feminization of the crime to women’s new presence in public and commercial life, and read it less as a pathology and more as a reaction to HOW MUCH STUFF WOMEN CAN HAVE AND WANT NOW THAT THEY CAN GO TO STORES
  • But since then, it has been very rarely read in terms of women’s relationship with feminized material culture and people almost always argue that it is representative of a pathology
  • Which is bullshit, even though I think most of us recognize that there is a psycho/physiological thrill associated with it
  • But, like: there’s also a psycho/physiological thrill associated with smashing the patriarchy, that doesn’t mean that I do it because of how my brain is wired
  • Anyway, the other main strands of literature about shoplifting focus on how it was presented starting in the counterculture movement (ie, Steal This Book) and within anarchist circles, and from what I read (including in some of these zines), there are almost no women’s voices present in this discussion
  • But we know, from our oral presence and because we know, that shoplifting was part of a form of uniquely feminist resistance. We know this, we remember this, sometimes in feminist readings since the seventies there will be mention of it, “…shoplifting as tiny resistances against sexist commercialization…” But almost no one has really taken some time to see how all of these pieces fit together
  • A few feminist organizations have looked at how women, especially nonwhite women, are hugely and disproportionately prosecuted for shoplifting. This was actually one of the main political focuses of Off Our Backs in the early 1980s, I’ve discovered. There were even cases where women who had been involved in other behaviors (feminist activism, rape revenge, immigrant activism, labor organizing) were actually scapegoated by cops on shoplifting charges
  • How can you be a young adult woman, how can you listen to your fellow young adult women, and not know that there is something about shoplifting (especially the shoplifting of makeup) which is part of our feminist consciousness? It’s there, and we need to talk about it. So much talk about shoplifting experiences has been a major part of feminist consciousness raising for people in my age group.
  • It’s interesting, too, that this arose out of a white privilege of invisibility but also resulted in it being much more difficult for a woman to get away with shoplifting because the profile of a shoplifter has become a woman, making her increasingly visible. Plus, it seems like most shoplifters are “caught” (detained, etc.) because they don’t know their rights when it comes to that sort of thing—like, I would argue that loss prevention is extremely predatory. I had one friend tell me that when she was a preteen, she lifted some mascara, and when she got caught, a guy held her in a room and told her if she gave him a hundred dollars then he wouldn’t call the cops. I can’t imagine that that’s the worse that has happened to girls in that situation.

I have never shoplifted in my life (I had kind of a wasted adolescence) and I’m too old to start now, but it like totally made me want to? Theory is powerful. 

January 13, 2012
via oldloves

via oldloves

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