April 14, 2013

billyhasopinions:

Rah Rah - Prairie Girl (by Hidden Pony)

This is great. These lyrics are to die for. 

2:43pm  |   URL: http://tmblr.co/ZSRIbyihQJ0t
  
Filed under: prairie girl music rah rah 
December 5, 2012

maura:

Considering that I giggled with delight five times while watching this clip of Mariah Carey, the Roots, Jimmy Fallon, and some adorable children singing “All I Want For Christmas Is You,” there’s no way I can’t make it today’s entry in my musical Advent calendar. Also I think this is a pretty sad song at its core! It’s not like the question of whether Santa came through is ever addressed.

A+++ 

How many people have you explained to that this isn’t a cover, it’s an original, and Mariah Carey in fact co-wrote?

November 27, 2012

jonathanbogart:

Debbie Harry & Iggy Pop, “Well, Did You Evah!” (1990)

The high priestess and priest of punk rock covering Old Blue Eyes and Der Bingle in 1956 singing Cole Porter at his most genially nihilistic for an AIDS benefit, directed by Alex Cox. Further evidence along the Ke$ha / Pop / Porter praxis.

“Have you heard it’s in the stars / Next July we collide with Mars” vs. “Let’s make the most of the night like we’re gonna die young / We’re gonna die young.” Apocalyptic fervor is nothing new (cf. Ecclesiastes 8:15, fer chrissake), but assuming some attention-starved dingbats’ willful misinterpretation of the Mayan b’ak’tun turns out to be correct, I know what I’d want to spend the apocalypse doing. (Okay, downing shots with people as blasé as Sinatra and Crosby. But raging on the dancefloor with Ke$ha’s a close second.)

You guys I think I just found the missing link that explains everything about my taste.

8:14am  |   URL: http://tmblr.co/ZSRIbyY9IEtb
  
Filed under: music 
November 26, 2012

ajohnny:

Every day I wake up and my annoyance with that Times piece is refueled anew. How can you have a song like “Crazy in Love” without the sense of self-awareness that drives our cultural mentality? A love song that writes off dramatic displays of affection as ridiculous, and subsequently embraces those displays…this isn’t a symptom of insincerity or a passing fad, this is REAL STUFF

YEP.

7:25pm  |   URL: http://tmblr.co/ZSRIbyY78J2l
  
Filed under: beyonce irony sincerity music 
November 14, 2012

“Published on Oct 18”!

I’m just really sad that this has existed for basically almost a month and I haven’t been watching it every day. 

(Source: youtube.com)

November 11, 2012
The City Phenomenal - Out Now - Pay What You Want

billyhasopinions:

My first full-length album, The City Phenomenal, is now available from my bandcamp page, for the low price of whatever you feel like paying for it (you are, of course, welcome to download completely free if you would like).

A Request

If you like the album, it would really help me out if you could share it with other people you know who you think might enjoy it, too. You have my permission to burn them copies or anything else to make it convenient for them to listen to it.

I’ve worked really hard on this for two years and I’d really like for people to hear it. I have no skills or budget to promote this, so I’m relying entirely on word of mouth (or however else you communicate with your friends) to get these songs into people’s ears.

You guys you guys, this is my little brother and I’m obviously biased because we share genetic material and a lot of it is about where we grew up, but I think it’s pretty great and I’m super-proud of him.

November 5, 2012
"I know that showin’ emotion don’t ever mean I’m a pussy."

Drake, “Lord Knows”

My boyfriend just got rdio so he’s discovering like every album that’s come out in the last two years all over again and he’s like “Oh yeah that Drake album” and now I’m like “I am compelled to only listen to this Drake album again”. 

9:56pm  |   URL: http://tmblr.co/ZSRIbyWiG5of
  
Filed under: drake drake feelings music 
October 19, 2012

microphoneheartbeats:

49thparallelpop:

Sugar Jones- Days Like That [Sugar Jones] (2001) CAN #1

*Full disclosure policy in effect: I took a quick look at the Wikipedia page for Sugar Jones when I sat down to write this, and it informed me that this track is actually a cover, originally performed by a British R&B girl group called Fierce. I had no idea. But this version still hit #1 on the Canadian charts so I think it qualifies for this project.*

Sugar Jones was a female pop group formed on the first season of television competition show Popstars in 2001. Girl groups and boy bands were being produced by these kinds of shows at an alarming rate around this time, but the demand for them just kept growing. Before American Idol made singing competitions all about the individual, having a ridiculously powerful voice didn’t necessarily mean a guaranteed win. It was also important to be a team player, and particularly for a Canadian project, to help diversify the group. I would say the French-Canadian member is only there for that reason, but I happen to think she’s the most vocally talented of the bunch. Sugar Jones had considerable success with this song and the follow-up single ‘How Much Longer’, but only released the one self-titled album. Nevertheless, most people will remember them, because this song was everywhere.

The track is a letter of sorts to an ex-boyfriend who doesn’t seem to understand the idea of just being friends after a break-up. The ladies, however, are having none of it. While they sing about the good times mixed in with the bad, they confidently declare that “even though I’m still your friend, I don’t want to be with you.” This is an interesting variation on the better-off-without-you trope, but it’s still universal enough to have girls (and probably guys) singing along with a lot of feeling. It’s got a bit of that girl power thing going on, manifested in the video by the group huddle and sway towards the end where all five members meet in one room of their oddly space-age home, make a circle of righteous female anger and just let it all out. It’s pretty awesome.

Though the group didn’t last long, some of its members are still making music. I recently checked out Maiko Watson’s new material, and it’s pretty cool. She was always my favourite anyways, and was married to fellow Canadian singer Remy Shand for awhile. She even appears in the video for his biggest hit, ‘Take A Message’. There’s a good chance that song will be covered here in the future as well, because CanPop is like that.

ETA: This is the first (of hopefully more than one) guest post from my dear friend Lauren. Be nice to her!

So, 49th Parallel Pop has returned with a guest post from my friend Lauren, who is pretty awesome, and the biggest hit by Sugar Jones, who are the Canadian equivalent of Eden’s Crush or Girls Aloud or whatever.

Hopefully this will force me to get my ass in gear and write more.

Okay so in the summer of 2001, the summer after high school, I worked in a big chain movie theatre (for a company that no longer exists) that had, for the whole two months I was there, one ~45-minute playlist. This was one of the songs, so naturally by the end of the summer I hated it.

It holds up pretty well though? 

October 19, 2012

isabelthespy:

bookbat:

rogueish:

poptastic:

Song of the Day: Taylor Swift - 22

She has really outdone herself with this one! It sounds like all my favourite female pop-rock singers of the past decade. Amy Studt, Sinead Quinn, Michelle Branch, Avril Lavigne, Ke$ha and Fefe Dobson all in one. As an album, Red has its ups and downs, but when it’s good it’s really good. I’m feeling very proud to be a long-term Swift supporter these days and it’s great seeing so many people finally recognising the brilliant pop star she really is.

I’m not quite sure why I’m invested in this particular bit of pop-star soap opera, but I like this song even more when I imagine that it’s about Swift’s friendship with Selena Gomez.

I give up, I stopped caring about “slut-shaming” a thousand years ago and I can’t even be mad about “when we’re on the phone we talk real slow” anymore, Tay-tay you’re an angel can I hide this beer in your purse? ok.

at some point in this song she’s talking about how there are too many cool kids and she says, in a cool-kid voice, “who’s taylor swift anyway? ew.”

at some point in this song she’s talking about how there are too many cool kids and she says, in a cool-kid voice, “who’s taylor swift anyway? ew.”

at some point in this song she’s talking about how there are too many cool kids and she says, in a cool-kid voice, “who’s taylor swift anyway? ew.”

OK I give up this is pretty great and Red Taylor seems much more fun than Speak Now Taylor (never forget the existence of “Innocent”), and also I would like to note the fact that Taylor is singing about “dancing like we’re 22” but you guys she is 22. Being 22 and being like “I really feel 22” is just, I feel so old right now.

October 1, 2012

Not sure how I feel about the new Christina Aguilera video where she seduces dudes and then kills them. On the plus side:

a) Xtina looks great
b) I basically enjoy the idea of pink glitter as blood

But also:

 a) I kinded wanted it to be more violent; obviously they couldn’t go the full Jennifer’s Body in a music video, but Lady Gaga and Beyonce sure managed to actually be violent in “Telephone”.
b) Not really feeling the use of the trailer park as a “kitschy” poverty setting.

So, push.

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